About the Work

ABOUT THE ARTIST

Marguerite Horner is a London based artist.

In 2004 artist Sir Peter Blake presented her with the Kidd Rapinet prize for outstanding work in Fine Art Painting at her M.A. degree show. Since then she has exhibited widely in Art Fairs and Group Shows, including the Royal Academy Summer Exhibition and The Discerning Eye Exhibition, London.

In 2006 Marguerite's paintings 'Until she listens' and 'To be where you really are' were selected by art critic and director of White Cube, Tim Marlow, to feature among the work of 30 emerging artists to take part in a Guardian /Saatchi competition.

In Sept 2006 Marguerite had a well received solo show at the Star Gallery in Lewes, East Sussex for which Julian Bell wrote the introduction (see below). Also that year her painting 'Ever Deeper' was short-listed for the first Celeste Painting Prize.

In 2007 Marguerite exhibited with two others artists in a show called 'Transitions' at the Beverley Knowles Fine Art Gallery, Notting Hill, London W10, which drew the favourable attention of artists, critics and collectors such as artist Antony Gormley, critics ilinca Cantacuzino and Anna Hales as well as selling to the notable art collector Simon Draper.

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Marguerite Horner is a London based artist.

In 2004 artist Sir Peter Blake presented her with the Kidd Rapinet prize for outstanding work in Fine Art Painting at her M.A. degree show. Since then she has exhibited widely in Art Fairs and Group Shows, including the Royal Academy Summer Exhibition and The Discerning Eye Exhibition, London.

In 2006 Marguerite's paintings 'Until she listens' and 'To be where you really are' were selected by art critic and director of White Cube, Tim Marlow, to feature among the work of 30 emerging artists to take part in a Guardian /Saatchi competition.

In Sept 2006 Marguerite had a well received solo show at the Star Gallery in Lewes, East Sussex for which Julian Bell wrote the introduction (see below). Also that year her painting 'Ever Deeper' was short-listed for the first Celeste Painting Prize.

In 2007 Marguerite exhibited with two others artists in a show called 'Transitions' at the Beverley Knowles Fine Art Gallery, Notting Hill, London W10, which drew the favourable attention of artists, critics and collectors such as artist Antony Gormley, critics ilinca Cantacuzino and Anna Hales as well as selling to the notable art collector Simon Draper.

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Julian Bell, (the son of critic Quentin Blake and author of 'What is Painting' and 'Mirror of the World, A New History of Art') writes of Marguerites work...

"Marguerite Horner performs a simple, ancient but profound trick with her paintings. She takes a sheet of primed canvas or paper and makes it glow as if lit from within. Physically, the white is no more white than it was before she touched it, but spiritually it is transformed. The markings Horner makes serve not so much to represent views of the world around us, as to activate what lies behind them a quality not to be named, only touched on. A walk in the open with a camera has presented her with an epiphany, some angle of approach on whatever is real."

"This is an airy, untrammelled pictorial world. The street and its concerns have been left behind. Colours have been left behind, almost - or rather, it is as if we were looking into a pure glow that is the sum of all pure colours. These skies and seas and trees are ghostly, if we read 'ghost' in its old spiritual sense. And yet there is a material particularity to each of Horner's large and arresting canvases."

"Often a cunning interplay of divergent pigments only reveals itself in a doubletake. There is an equal cunning to her compositional stragegies - the daring imbalances of above and below, the barriers she throws across the act of vision. Those barriers - ripples, branches, clouds - become flowing calligraphic performances. This is committed oil painting, and full of the medium's pleasures. It comes from a painter who has considered her aesthetic options carefully, having secured a wide-ranging technical command."

"There are many ways one might set Horner's act in context: in the art school where I encountered her work, the talk would have been about photo-painters like Gerhard Richter. I think of her more as an English individualist, and a distinctively northern one: her light-flecked thickets put me in mind of the late 19th-century painter Atkinson Grimshaw. "

'Until she Listens' 50x50cm.